Features to look at:
#1. Splayed legs on porch, awnings (houses face west and gets the evening sun), big asphalt roof shingles. There are brackets below each window that once supported painted wood planters as in picture #17. These sunshine colors are not at all typical of this style yet they are very well presented. I can’t help but smile when I see this house.
#2. The shed dormer is often centered in the roof space as it is here, but sometimes it’s attached to the projecting gable as in #3. Note the shallow pitch along with the steep pitch.
#3. Note the lack of fascia, the gable in gable, the shed dormer (this one is unusual being that the wall has very little width and there is no window on its front face). The porch has the punch with its strong blue door flanked by tiny roundtop windows.
#4. This one leans toward cottage style. It looks very comfortable, and quiet, in its setting likely because of the natural colors. Imagine it in brick red and it becomes stately. Imagine it with a walkway coming towards you with a low trimmed hedge on each side. There’s a lot one can do with this house to change its ‘mood’.
#5. Note the bay window with witches cap. Looking closely I see that those black lines below it is wrought iron –I’m not sure why it’s here. The picture window needs to be stronger, perhaps with an awning of some color, or black shutters, or a black trim around the white window trim, or perhaps it would present itself better with a clear view to the front door.
#6. These gables are side by side. I wonder about water runoff and if a height restriction kept them from being one inside the other such as in #7. Note the painted half timbers and the oval vent. These windows are typical of this style although the shutters are not.
#7. This one is more modern, not as tall looking –it’s boxier. The roof pitch is reduced. Note the gable in gable, the square vent, and a small feature (another vent) at the very top of the top gable.
#8. This one is almost a Tudor, definitely a tudor-lite. Note the projected gable on brackets, how the gables ‘bottom out’, the outline of the entrance, the grid in the windows, the tiny diamond shape in the gable and the thin black trim around the white window trim.
#9. Here we have the steep gables, a shed dormer, a shallow curved doorway and window. Note the way the verge board ends hiding the gutters.
#10. This is the doorway of #11. Up close it’s beautiful –white on white reads as rich texture- but from a distance it disappears. Note the shingle shapes, the painted half timbers, the round top door with strong vertical lines, even in door hardware, and the squared off verge board ends.
#11. Here’s another gable ‘beside’ gable, although the gable ‘in’ gable is more prominent in this style. Note the steep roofs, the mini window with its own roof and railing. The garage wing looks like an afterthought, maybe an addition. Imagine if the front door trim was white with a 1” strip of charcoal grey along it. That would really pop it out. Imagine potted plants, something big and bold on each side of the top step. Zing!
#12. This is a rare example of one that isn’t stucco. It looks to be asbestos shingles, which are harmless as long as the asbestos isn’t exposed, opened. Note how one wall face comes down further than the other. The bay window looks weak and could be strengthened with a 1” black line under the sill. That would pop it out and give the face a focal point, and better balance.
#13. Color! Look at how the wood details draw attention to themselves with the strong color contrast. Note the 2x2 windows in the attic over the 3x1 windows. The prominent bay window has a suggestion of a roof deck above. There is a window box with flat roof below each 2x2 window as if to underline the upper floor. The windows are true divided light. If one was to have wood windows and trim custom made, this would be an excellent prototype.
#14. This is an interesting approach to Kerrisdale style. It’s very symmetrical but the chimney takes away from it. Center window needs to be stronger, bigger, or in a defined grouping. Maybe a curved roof over door as in #17 would help. The eye needs a focal point here, a place for the eye to rest.
#15. Here we have the roof edgef rolled over the fascia. Note the arched windows and vent, the gable next to the gable –how does water run off? And the position of the gable dormer.
#16. This is an example of how the prominent wall face extends beyond the house into the sideyard inviting the visitor in while providing some mystery, some privacy. It’s too bad many city bylaws no longer allow for this projection into the sideyard.
#17. Love the detailing on this one! The curved roof establishes a focal point. Note the black trim around the white window, the brackets on the jerkinhead gable, the planter box (the painted triangles are typical of these planters, this style). There is some wrought iron that runs vertically and looks to support the curved roof. Excellent use of no colors! The white is set off from the off-white stucco simply by defining it with a thin black outline.
#18. Wow! What color! The front door is almost an orange, the complement of blue. That’s what makes this work so well. Note the painted half-timbers, the windows, and the steep gable positioned well forward of the back gable. Note how the upper floor comes forward further than the main floor creating a shadow -underlining it. Very strong presence. Five stars for this one.Summary of Defining Features:
-Roofs: usually very steep, always strong gable perpendicular to side to side gable, often shed or gable dormers. Asphalt shingles are big and black.
-Porches: usually small front stoop with a corbelled wood trim around opening, arch is rounded or with a slight gothic point as shown here, often has door painted in a bold color.-There are strong vertical elements in the windows and vents which are centered under gable face.
-There usually 1 or 1-1/2 stories with a suggestion of half timbers, painted but not stained brown as they would be in Tudor.
-Texture: Texture is big. Stucco is coarse and half timbers project ¾” forward of the stucco and that provides a shadow.
-Main floor is often about 30” above grade with 1 ½ person wide steps painted in a somewhat contrasting color. (#2 steps should be darker).
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There you have a sampling of the style found in the Kerrisdale neighborhood of Vancouver. Enjoy and I'll be posting next week with another sampling -of what I'm not sure yet.
